“So am I,” he said. “Tell your children what you have seen. Tell other women.” “Didn’t you love him?” asked the girl, staring. “Wouldn’t you have helped him?”!

Joan answered that she would be very pleased. “You are a wicked God,” Joan told Him. “Yes, You are. A cruel, wicked God.”

In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.” “It was built by Kent in seventeen-forty for your great-great grandfather,” he explained. He was regarding it more affectionately. “Solid respectability was the dream, then.”